As a location for his fallen aeroplane, the artist wanted a spot at which three paths cross. He sees in this a feminine principle, the arrow-shaped, falling plane symbolises a masculine, aggressive moment. On the inside, in addition to a number of marble hands that seem to search for each other, di Cocco also integrated a small model of the »Catalina« (an aeroplane that became famous in the Second World War), which functions as the »innocent soul« of the fallen machine.

This installation could be viewed at an exhibition in the architecture faculty of the University of Florence in 2006, then at the Fondazione Mudima in Milan in 2007 (Catalogue Gillo Dorfles, Francesca Consonni). It comprises three sculptures that present lifesize elephant bodies in various stages of decomposition. A series of »cameras« observe the »elephants«; iin reality, however, the cameras are just dumb and powerless witnesses of a natural tragedy.